William Shakespeare's Twelfth Night One of the first lines in the play Twelfth Night reveals the main Viola, disguised as Cesario, falls in love with Orsino. In William Shakespeare's "Twelfth Night" there are several relationships that In the fifth and final act the love between Orsino and Viola is now possible. and find homework help for other Twelfth Night questions at eNotes. Orsino's ego is fed through his new Page, Cesario (Viola disguised as a man), and Olivia pines for the love of the same man Read the study guide: Twelfth 3 educator answers; How would one define the relationships in Shakespeare's Twelfth Night ?.
She is the only one who seems to be genuinely in love. She also loves her brother deeply, and he reciprocates the same love. Orsino and Olivia essentially end up marrying male and female versions of the same person.
He does not love her though; he loves her position of power. He has a strong desire to rise above his social status, and sees Olivia as the way to do it.
Duke Orsino in “Twelfth Night” - A Research Guide for Students
Malvolio is stuffy, serious, and obviously in love with himself. He is very proud, and though he is only a steward, sets himself high above the rest of the people in the household.
He daydreams about running the house, and ordering everyone else around. His pride causes him to be extremely gullible, because he never doubts for a second that Olivia is in love with him.
Malvolio deserves the humiliation that he gets, but his punishment is excessive and does not fit with the crime. He is locked in a dark room and everyone tries to convince him that he is mad. The audience feels sorry for him, because he is thoroughly mistreated. Malvolio seems to be the character in the play that has to suffer so that everyone else can be joyous; telling us that even fantasy worlds like Illyria are not perfect because there is still someone suffering.
The comedians in the play, Maria and Sir Toby strike up a relationship built upon friendly love. During the play, Sir Toby often admires Maria, who is his partner in crime. They are both very clever, so they make a perfect match. Her friend, Sir Toby, was continually impressed with her mastery of mischief.
They are close cohorts throughout the play, so it is no surprise when they elope at the end. Sir Toby and Maria do express a bit of remorse about their joke on Malvolio going too far, so they are forgiven and allowed to share in the happy ending. There is also a very close friendship between Sebastian, and his rescuer, Antonio. Antonio professes his love for Sebastian, and foolishly gives away all of his money. He follows Sebastian into a town where he will surely face danger, because he cannot stand to be away from Sebastian.
Unfortunately, it is made clear that this kind of homosexual love is not welcome in the world of Illyria, where everyone pairs off in traditional marriages. Antonio is abandoned by Sebastian at the end of the play, and like Malvolio, there is no happy ending or resolution for him. Shakespeare makes it clear that this sort of love, like self-love, does not have a place in Illyria.
Shakespeare explores every facet of love, which is a universal emotion. It is an integral part of human life, and it is something that everyone can relate to. It is a song about growing up and discovering the harshness of life. We learn from Shakespeare that love does not conquer all obstacles, and not everyone gets a happy, fairy tale ending. All joyful things come to and end, and eventually we must face the more serious aspects of life. Maria sees Toby as a social superior who could lift her from a maid's life to that of a lady, however precarious, and, in any case, is enchanted by his rough but affectionate manner.
She probably feels she could improve him. She achieves presumably happiness when she marries Sir Toby at the end of the play. Sir Toby enters swinging Maria on his arm. Act 2 Scene 3 Sir Toby: I could marry this wench… Toby's delight at the success of Maria's trick.
Maria and Sir Toby, already drawn together, form a bond with the foolish Sir Andrew and the jester, Feste against Malvolio in order to repay him for his slights on their boorish, but enjoyable, activities.
The Analysis of Character Sketch of Duke Orsino in the “Twelfth Night”
Maria thereby shows her devotion to Sir Toby, much to his delight and cementing their relationship, by concocting a forged letter deceit.
Both Toby and Maria have pangs of conscience, however, when Malvolio is tricked into the madhouse. It is admittedly difficult to convey Sir Toby's and Maria's marriage when Fabian makes only a passing reference to it. Toby and Maria exit fondly arm in arm as Toby speaks to her "I would we were…" with a resigned recognition from both that their escapade signals the necessity for Toby's imminent departure. After "Come by and by to my chamber" the marriage could be signalled by their encountering the Priest and the three leave together.
This would necessitate the entry of the Priest at that point but it would be only a slight liberty and he could be used to heighten the comedy as he catches sight of the apparent Sir Topas. Please do not substitute knives.
This introduces an ugly topicality that deviates from the comedy and detracts from audience enjoyment.