Hareton tries to win Cathy's affections | South China Morning Post
Although Hareton and Cathy begin their relationship in conflict, they . Because of this ideology, Brontë's Catherine marries the domestic. Cathy and Hareton's relationship modern nuclear family (reprisented by Catherine and Hareton) replaced the larger and more loosely related. This is young Cathy talking, daughter of Catherine and Edgar. The relationship is a repetition of the suffering Heathcliff experienced at the.
The two Catherines, even through their very names, first suggest this idea of doubling within the text. Of course, these characters are not exact replicas; in physical appearance, the text emphasizes that the two Catherines are only similar.
Still, when reading the novel, one cannot help associating the second Catherine with the first. The mother and daughter pair depart on similar relationships, as well, each becoming involved in unhappy marriages to Lintons. The first Catherine is involved in a nearly-savage and socially unacceptable relationship with the outcast Heathcliff. Their romance is characterized by passion and obsession, the socially unacceptable product of the wild, untamed Earnshaw and the savage, demonic Heathcliff.
Because of this nature, he would never be a suitable match for Catherine. Still, the two view themselves as one; in a speech to Nelly, Catherine asserts this point: Heathcliff, too, views them as somehow connected. Heathcliff is haunted until his death by visions of Catherine—by his love for Catherine. Heathcliff is an outsider, a foreigner with no past Heathcliff himself would be a socially unacceptable match for Catherine. The obsession that characterizes their romance makes their union even more unacceptable.
It represents a passion that does not fit in the domestic sphere of marriage. Catherine, of course, cannot marry Heathcliff; it is out of the realm of possibility for a socially acceptable Victorian novel.
She in essence removes herself; because inherently connected with Heathcliff and Wuthering Heights, Catherine is not of the same stock as the cultured Lintons and the Grange. Nelly states that when she returns home from her stay at the Grange, Catherine is an entirely different person: Her time spent as an adult at the Grange is also characterized by unhappiness. When Heathcliff returns, things are better, but only until tensions between Heathcliff and Linton prevent any future visits from the former Catherine somewhat recovers her strength and health, but her moods are varied Eventually, however, her heartsickness over the loss of Heathcliff combines with her pregnancy to lead to her death The separation from Heathcliff forced on her by the conflicts between him and her husband leads to misery in the conventional union.
If the text were solely supportive of the Victorian marital tradition, one would expect this marriage to be a happy union. His name serves as a strong link to the Linton family and severs the boy somewhat from his father.
His appearance, a strong resemblance to Edgar Lintonalso shows a link to the family. Even his sickly nature limits him to the indoors, and therefore the domestic sphere dominated by the Lintons.
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The novel clearly shows dissatisfying results from the relationships between the Catherines and the Lintons. If these seemingly domestic or more conventional marriages are failures, what, then, is a successful relationship in Wuthering Heights? One indication of acceptance is in the doubling of the first and second generation. The novel does end as a domestic love story; however, the union of Hareton and Cathy, because it is a continuation of the relationship between Heathcliff and Catherine albeit an altered, muted continuationis a signal of an ultimate union between the first generation of lovers.
Because the characters are similar, almost to the point of confusion for the reader, one cannot help but extend the union between Cathy and Hareton, making their marriage the socially acceptable union of Catherine and Heathcliff.
The couple plans to move to Thrushcross Grange, but the action of the text ends in Wuthering Heights. Rich furnishings and the coloring indicate wealth and opulence.
The indication that the couple will move to the Grange suggests a favoring of this upper-middle class Victorian domesticity. However, the reader never sees this move. The inside is not any more appealing. The ornaments are ominous and imposing: The Earnshaws themselves are similarly untamed. The idea of an impending move gives the promise of the domestic the couple are moving to the Grange at the first of the year—but the narrative never fulfills that promise.
Instead, it leaves us with the image of the couple within the untamed and wild house. Since this is the house of Heathcliff and Catherine an Earnshaw and the house is where their love originally flourished, ending the text here connects the new marriage with the first love. The prominence and favoring of the Heights translates to a favoring of the unconventional Heathcliff and Catherine.
Hareton tries to win Cathy's affections
The novel does not simply end with the conclusion of the love story; it includes another brief flashback to illuminate for Lockwood and the reader the conclusion of Heathcliff.
The novel reverses itself again, structurally, and shows the persistence of the love even after death. Up until the point in the novel when Heathcliff dies himself, Catherine appears sporadically within the text. The presence of what should be resting in its grave suggests that, if only to restore the soul to peace, Heathcliff should be together with Catherine. It is their separation that would not allow Catherine to rest.
The restlessness of her spirit develops feelings of sympathy for Catherine in the reader. Though it is wild, this love, which transcends even death is true; and true love should be united. In The Novel and the Police, D.
Miller argues that even in novels that seem to reject societal control, a novel revolves around the issue of power. Catherine and Heathcliff are destroyed by social control in one sense, and therefore social control should regain power reinforcing the idea that it is the Victorian domestic that should be valued. To this extent, we can say that his relationship with her mirrors that of Heathcliff with Catherine.
However, Hareton also shows sensitivity beneath his harsh exterior. His love for Cathy shows tenderness and he is restrained rather than wild. In this way, he is more like Edgar in his love for Catherine. He shares a similar kind of devotion. He is also, perhaps surprisingly, devoted to Heathcliff, despite the rough treatment he receives at his hands. He is constant in his affections. When Heathcliff first arrived, they formed an alliance together against Hindley.
Hareton has never forgotten this early bond with Heathcliff. Tender observation One of the delights of the end of the book is to watch the relationship develop between Cathy and Hareton. He takes books and hides them in his room, so determined is he to learn to read in order to gain respect from Cathy. She is initially cruel and scornful of his attempts, and in response Hareton 'blushed crimson'.
His blushing is of course evidence of his embarrassment. When we next see them together, Cathy is teaching him to read: His handsome features glowed with pleasure, and his eyes kept impatiently wandering from the page to a small white hand over his shoulder, which recalled him with a smart slap on the cheek, whenever its owner detected such signs of inattention.
Hareton is learning to read to earn respect from Cathy. She is falling in love with him, but also enjoys the power she has over him. The relationship is tenderly portrayed. Weakened by love In Heathcliff and Hareton, we are presented with a contrast. Both have wild, brutal characters.